Interview by Geno McGahee

Making a film is like nothing else.  There is an energy when artistic people with a love for the game come together to create something and it’s that much better when you work with talent that brings kindness and a joyful spirit.  I often describe Chris Spinelli, a California Actor and Producer, as the nicest guy in the world and if he’s not, he’s close.  I have been fortunate to work with him and see his amazing skills on display.

There is a reason why Spinelli is in so many productions beyond his good personality.  He has earned every role and can play anything and do it well.   His versatility and hard work keeps leading great roles that he owns, including one of my favorites, the returning Ronald DeFeo, JR., in AMITYVILLE EMANUELLE. 

I had the opportunity to sit down with Chris and got some great insight on his journey into film, his experiences and his future ambitions…

GM: What first attracted you to acting?  What were your first experiences?

My first experiences that eventually attracted me to acting was the movies. At a very young age I was lucky that my Parents were big moviegoers. And since I was a product of the 70’s, I remember seeing, to name a few, MOONRAKER (James Bond), FLASH GORDON, THE CANNONBALL RUN, and CAVEMAN (yes, with Ringo Starr and it cracked me up). At the time I didn’t know I wanted to be an actor, but I was attracted to the adventure movies bring.

It wasn’t until I was 12 or 13 years old when I got bit by the acting bug and decided to pursue it. I have a theory that no matter what you do in the Film Industry, once it gets in your blood, there’s no shaking it off and it becomes your life’s work. I can thank Georganne Sugden, my first Teacher, who ran a Theater group called Stage 11 in Denver, Colorado where I grew up. That stage is where I first performed and never looked back. That through-line continued in High School and I was a Media Performance Major (Acting and Production) at Chapmen University.

Once I graduated I went to Hollywood, like how most of us do! Over the years I’ve been fortunate to book Film, Television, and Commercial work including being a set up for one of Jimmy Kimmel’s opening monologue jokes on JIMMY KIMMEL LIVE!. They made it look like I had just been tased so smoke was coming off of me. Good Comedy fun.

During all that time I had met and kept in touch with Filmmaker and Distributor, Gregory Hatanaka. Five years ago we had lunch and he mentioned he was getting back into Directing. Our first movie was CHOKE starring Sarah Brine, Shane Ryan-Reid, and Scott Butler. Gregory wrote and Directed the movie and since then, we’ve had over 200 lunches (Laughs) and have released around 40 movies.

I’ve been working close with Gregory and his companies CineRidge Entertainment (Production) and Cinema Epoch (Distribution) mostly as a Producer and Actor. Because of him, I’ve worked the most in this industry in front and behind the camera and can’t thank him enough. Most importantly, we’ve become very good friends during this ride. Our movies are made for the streaming world and you can watch them on Tubi, Prime Video, our Cinema Epoch YouTube page, Vimeo, and more.

Gregory has also given me the opportunity to work with so many talented and creative people including you Geno, but I’ll get to you later. From CHOKE on I’ve been fortunate to work with Nicole D’Angelo (Actor, Writer, Director of ACRYLIC), Nino Cimino (Writer, Director, Actor) along with actors Lisa London, Jason Toler, Johnny Mask, Shoko Rice, Socks Whitmore, Jeff Rector, Masashi Ishizuka, Sharon Marr, and Dan Luong. There are many more on that list and I’ll mention more in a bit.

Other filmmakers I work with are Rich Mallery, Scott Hillman, Jamie Grefe, and Benny Tjandra. Also thanks to Benny Tjandra, Doug Tochioka, and Talon Tears for their stunt and fight choreography for our movies KILL PLAN and ANOTHER WAY TO DIE to name a couple.

Last I want to mention fan favorites Warren Hong (Production Manager), Kuy Yeav (sound), and Daniel Coltor (hair and makeup) on our team as well.

GM: Did you always see film as a goal?

Since my last answer was so long, did I always see film as a goal? Yes.

GM: You’ve played so many different roles.  What was your some of your favorite roles and what has been your most challenging?

I’ve been fortunate to play a wide range of roles and here are some of my favorites. Jeff in A CHRISTMAS LOVE written by Jamie Grefe was fun because it balanced Comedy, Romance and deep Drama in this “Hallmarkish” movie. I was able to create a lot of Comedy bits in this one including a hilarious scene with Jeff Rector as my boss and a box of doughnuts. This role to me was my Tom Hanks moment (one of my favorite actors).

Another Comedy role is Martin in A WISEGUY CHRISTMAS written and starring Nino Cimino. I perform stand-up comedy and the character Martin has the same gullible persona I do on stage so I was able to really connect with the role. Nino and I also have a great comedic Dean Martin/Jerry Lewis chemistry vibe. You can guess which of those two legends relate to Martin. This movie also has a great ensemble of characters. Just like, well I’ll bring it up again, THE CANNONBALL RUN. Gregory Hatanaka directed these movies minus THE CANNONBALL RUN…of course.

Now shifting from Comedy, one of my favorite Action roles is in ANOTHER WAY TO DIE written by Jamie and Directed by Gregory. This movie stars the full steam ahead action guy and Friend, Louis DeStefano. While this movie was still in development, I came up with an idea that my character doesn’t speak and “The Silencer” was born. No lines to memorize so it was just coming to set walking around feeling cool (at least I felt that way) and doing some major action scenes. Yes!

One of the most challenging roles I’ve had was Gary in DARK DEEDS written by Nino and Directed by Gregory. I don’t want to give away any spoilers, but the best way I can put it is Gary is in a key climatic scene in the movie. All of his character objectives intersect at once with the most intense and physical scene I’ve ever done. After production, it took me a couple of days to emotionally disconnect from this character. Another role that comes to mind is when I played Walter in FELINES. This movie is written and Directed by Rich Mallery who I’ve had the pleasure of working with often in our group. Check out his other movies to see his unique style of filmmaking. For me, it wasn’t so much that Walter was challenging to play, it was more of shifting my focus as an actor to make sure my performance was not overdone and be in a zone of a character that was always in control. My preparation for Walter was very introverted while Gary was very physical. Thanks to the two Female Leads in FELINES, Madison Santos and Kate Ly Johnston to help me consistently get to that place.

GM: You have been riding this wave of momentum, gracing the covers of many films and earning starring roles.  Being in the spot that many want to be in, what factors have set you apart and brought you to this position?

Can I pinch myself? Wait, I don’t want to wake up! I’m very thankful for this wave and I want to keep riding it because I remember the days when acting jobs were very far and in between. The main factor that worked for me is meeting and keeping in touch with people over time in the industry to set myself up for opportunities.

Q: You are in the newly released FATAL JUSTICE.  Can you talk about that and what it was like to bring two film groups together to achieve the common goal?

Now I can talk about you and my East Coast film family. Do I feel another long answer coming? Thanks again to Gregory, I was able to meet and work with you along with a group of great actors you’ve known over the years in Massachusetts. Here’s another example of me being a 1970’s child, bringing our two film groups together was like being a part of SUPER FRIENDS. We have our West Coast group who I mentioned earlier now combined with the East Coast chapter of Lorrie Bacon, Eric Michaelian, Brent Northup, Rick Caride, and Matthew Hebert. The result is an explosion of talent.

I believe a project always starts with a significant script and that’s what you have with FATAL JUSTICE written by you. Now I know why it’s “Geno F- – – – – g McGahee” a term coined by the East Coast group! I love that the dialog you write is how people naturally speak. This is so important in this movie because it’s dialog driven with not a lot of locations and a heavy story. This structure is like the classic 12 ANGRY MEN. Because of these elements, the preparation for my role as Larry was being committed to breaking down how my dialog connected with the other characters. There are so many dynamics in the story of this Family dealing with loss and the reality that the law failed them.  All the performances in this movie are fantastic and each actor brought their roles to life. There are a lot of intense confrontations between the characters and we pulled it off. Instead of me writing another list of names, just look up the cast on IMDb and you’ll see who I’m talking about.

It was amazing to bring our two film groups together and it was a rewarding experience to collaborate with people traveling all the way from Massachusetts to Los Angeles. Everyone involved brought their “A” game to achieve the common goal of completing not one, but two movies in one week (FATAL JUSTICE and DEADLY WESTERN). I think I can speak for the majority of us, but much needed rest was had the week after.

Q: You played Ronald Defao Jr. in AMITYVILLE EMANUELLE, which was a great movie and you were hilarious.  How much fun was it to play such a role and do you think, as I do, that your Defao JR needs to battle another notable killer?

First off, “Make Room for Daddy!” Had to get that out of the way. AMITYVILLE EMANUELLE was so much fun to make and another well written script by you. This movie was a great time to make because I play two completely different characters of Ronald Defao Jr., the notorious mass murderer, and Evan who is a History Teacher with nerdy qualities. Since both characters were on opposite sides of the spectrum, it was easy to jump into either role right away especially since we were on a tight schedule. Fantastic job to first time Director Louis DeStefano who kept us on track to get principle photography completed (literally since he was the camera operator as well) in three days.

I can’t say enough about the rest of the cast that was on point on the fast pace set and delivered outstanding performances from Dawn Church, Shane Ryan-Reid, Allie Perez, Linda S. Wong, Saint Heart, Johnny Avila, Erika Holzhausen, Jose Adam Alvarez, Spencer Cadigan, Jorge Meneses, and Joycelyne Lew.

Do I hear a possible spin-off? Yes! Let’s have Ronald Defao Jr. fight Jack the Ripper. Does this mean we’re officially in development on this?

Q: You are now branching out even more, starring in SCARY TALES: DEAD ZONE. How is that experience to go from California to Massachusetts and film in totally different areas and with different film groups?

Just like East Coast group coming to Los Angeles to experience our neck of the woods. I’ve been fortunate have done the reversal a few times flying out your way. After traveling out to a couple of your premieres (including A CHRISTMAS INVITATION) and making SCARY TALES: DEAD ZONE, I’m starting to feel like the MGM Grand in Springfield, MA is a second home.

Coming out to the East Coast to film SCARY TALES: DEAD ZONE was a wonderful experience especially geographically. I was fascinated driving to set through these towns from colonial times and cruising by thick woods. Something you don’t see in Los Angeles. Working once again with the East Coast film group was flawless. The long day I had on set was so enjoyable. There are so many characters in the story, but the structure for my character, Jay, mainly only appeared in the movie with Lorrie Bacon (the kindest person on the planet) and Mark Carter. Everyone was great to work with including Jesse Waegelein-Hall and Cayla Harhausen. It was also different to be on set just as an actor. I’d ask Producer/Art Director Rick Caride if he needed help with anything behind the scenes and he would tell me “no”, so I’d eat another hot dog instead from the delicious barbecue.

Q: You’ve done every genre. What is your favorite to partake in and what is the most challenging?

I enjoy doing any genre because as an actor, we’re interpreting a writer’s script. My attitude is to commit to whatever the genre is of the movie. As far as challenging, I’d say action since it’s so physical and if it includes a fight scene, preparation and making punches sell on camera is very important.

Q: You’ve been in two westerns, DEADLY WESTERN and AMERICAN WESTERN.  Is it more fun to work in an uncommon environment like the old west or outer space? 

Doing the two westerns was a dream come true. It is fun to work in an uncommon environment like a western because those movies were shot on location and not in the studios we usually work in. Even though we were out in the elements dealing with lower temperatures and wind, every actor hopefully will eventually experience working in this genre. Outer space is fun too, but usually made in a studio. Overall, whatever the environment the story takes place in, I’ll dive into that environment.

Q: Any advice to those trying to break into the business?

Good advice for any actor breaking into the business is to accept that pursuing your goals may take time. It’s a long journey and everyone advances in the Film Industry in different ways. Advice everyone can relate to is always network at screenings or Film Festivals because the people you meet today, you might collaborate with in the future.

I started in this industry when headshots were taken in black-and-white. Since then, the Industry has benefited with technology which leads to my next bit of advice. Submit online to as many projects as you can and be your own publicist with X, Instagram, TikTok, Facebook, etc.. I’m also always updating my IMDb page with my credits and photos. At the same time you can support other filmmakers and actors and before you know it, you’ll have a strong community of people to work with. I also believe that it’s still important to have an Agent or Manager so they can get you auditions you won’t have access to. It is a numbers game. Overall be positive, a team player on set, and respect everyone professionally.

Q: Any final words?

Thank you for taking the time to interview me Geno. I’d like to thank my Manager Shelley Pena and my Agent Philippe Poezach who both work very hard opening more doors for me and their continued support.

You can follow me @chrisspinelli2 on X, Instagram, and TikTok where I always post updates and photos of what I’m working on. I’m also a part of a Comedy Podcast, COMEDIANS AT DENNY’S, on our Facebook page every Wednesday with fellow Comedians Lauren Kirshner and Jay Hewlett. Thanks for reading and see you on set!

The post Chris Spinelli: Conquering Coast to Coast in the Film World appeared first on SCARED STIFF REVIEWS.

By Phil Herman

Geno McGahee, a talented filmmaker hailing from Massachusetts, has left an indelible mark in the industry with an impressive filmography that includes “Evil Awakening” (2001), “Rise of the Scarecrows” (2003), “Family Secret” (2009), “Scary Tales” (2014), “Lone Gunman” (2013), “Sickle,” and “Scary Tales: Last Stop.” Geno’s passion for filmmaking ignited at the early age of 12 when he started capturing skits with friends. This passion culminated in his first feature film, “Evil Awakening,” released by Tempe Entertainment in 2008.

In addition to his filmmaking endeavors, Geno is the owner and operator of ScaredStiffReviews.com, a platform he has nurtured for years. Impressively, he continues to create movies, and fans can look forward to a promising sequel from his acclaimed Scarecrow series titled “Rise of the Scarecrows: The Last Straw,” on the horizon. Geno’s dedication to storytelling through film remains unwavering, offering audiences a thrilling cinematic journey.

Past:

The beginning of my journey began with a VHS camcorder at 12-years-old.  I began making short films, leading to a feature in my 20s called “EVIL AWAKENING.”  The next film “RISE OF THE SCARECROWS” would put me on the map and be very successful and it’s just been an ongoing thing from that point for me. 

I have done nearly every element in the film business and work for Cinema Epoch, a production company and film distributor.  Recently, I was able to fly to California with my crew to work with Cinema Epoch to make two films, DEADLY WESTERN and FATAL JUSTICE, both of which are on Tubi and other major streaming outlets.

The last few years have been really good for me with my film A CHRISTMAS INVITATION winning the best picture award at a worldwide film festival and has also become my most popular film.  It’s nice to be a “horror guy” and to show that I have more tricks up my sleeve.

I’ve written 21 films, produced 34 and feel really good about the direction my film journey is going.  The fog has cleared a bit in the last few years and I’m beginning to smell the roses and enjoying the momentum my films have had recently.

Present:

I’m gearing up for the premiere of my two Cali films, DEADLY WESTERN and FATAL JUSTICE along with the release of my new horror anthology, SCARY TALES: DEAD ZONE.  I am trying to keep busy but it’s tough with regular life interfering and I found out how tough it was to write, direct and edit three films in the span of 6 months while working a 9 to 5 and having family obligations.  I like that saying “I’ll sleep when I’m dead” until I edited three movies in six months.  I’ll sleep now is my new saying I like.

I’m writing a new Christmas movie.  I wrote a coffee shop comedy called BIKINI BARISTAS, which is a throwback to the 80’s style of comedies.  I remember watching movies like HAMBURGER THE MOVIE when I was a kid and I wanted to write something that would lean that way.  The Christmas movie is another drama that celebrates friendship and family.  

I also own and operate Scaredstiffreviews.com A website that I’ve ran for over 15 years. 

Future:

I have a battle plan in place where I’ll either go viral or go broke.  I am filming a comedy movie early next year, a reboot of my 2009 film SATANIC MEAT CLEAVER MASSACRE and all roads will lead the third and final scarecrow movie, RISE OF THE SCARECROWS: THE LAST STRAW. I’m also looking to remake a 1970’s classic and I can’t stop writing.  When I insist I’m going to take a break from everything, I’m always somewhere typing away. 

I am just trying and doing my best to make my mark and get my stories out.  I will always be writing, filming and looking to find an audience that enjoys my work.  The experiences I’ve had in this game have been great and the friends I’ve made through it mean everything.  I have this hope that I’ll get a good budget or a film that goes big enough to supply me with one to really show what I can do, but if it doesn’t happen, it doesn’t happen.  I’m happy to go down swinging.

The post 3 Questions with Phil Herman: Filmmaker Geno McGahee – Interview appeared first on SCARED STIFF REVIEWS.

Interview by Geno McGahee

Navigating the film world is not the easiest thing to do, but film producer/director Louis DeStefano has done it well, finding his way into starring roles.   DeStefano began early on in his youth with a dream to make it in film, using his knowledge of martial arts to land some action spots.  He would begin working with Cinema Epoch and Cineridge Entertainment in 2018 and has been on the fast track, proving his skills both in front of and behind the camera.

This year has been a notable year with DeStefano directing his first film (AMITYVILE EMANUELLE) and starring in two action thrillers (BACKFIRE, ANOTHER WAY TO DIE).  Other upcoming projects coming soon are FATAL JUSTICE, a thriller, and DEADLY WESTERN, where DeStefano plays the villainous killer, Cooper.

Scared Stiff Reviews sat down with DeStefano and got a look at the journey a person makes as they attempt to conquer one of the toughest games in the world and find success.

GM: What first inspired you to go into film?  Any particular movie or event spark your interest?

Back in the 80’s when I was a kid, my grandfather loved Martial Arts and action movies. I grew up watching them with him and my uncles. All of them were martial artists and bodybuilders themselves. I grew up watching Bruce Lee movies and Van Damme movies and I knew that’s what I wanted to do. 

GM: You run all facets of the game.  You direct, act and run camera.  What do you prefer and how does each part of the game help the other parts?

I prefer acting. Don’t get me wrong I do love being the director of photography and making the movie’s come to life but there’s nothing like acting though. It’s a win-win situation for me knowing camera and being a cinematographer.

I always wanted to star and produce my own movies one day and I knew production and learning to be a Director of Photography was the back door into Hollywood. Now I’m starring in two different action movies ANOTHER WAY TO DIE which is out on Amazon, Tubi and Vimeo and BACKFIRE coming out late fall of 2023. Also I directed my first featured film AMITYVILLE EMANUELLE, which is on the same streaming services that you actually wrote. 

GM: You started out doing short films and are fighting for recognition in the toughest business there is.   How do you explain your success thus far and what tips would you give to the younger aspiring filmmakers out there that want to do well in this game?

For inspiring actors and filmmakers out there, learn everything you can about acting and production. At the end of the day, you have to create your own movies unless you have a proven track record, which can take years. It did for me. Are you willing to do it?

For me, it was placed in my heart at a young age. I didn’t know how or when I was going to get into the business. I felt this calling upon my life and it’s been confirmed throughout the years and I looked at everything as a stepping stone to get me where I want to go. I always had a servant’s heart, putting others above myself to help them. Fill the need on set and ask if they need help and you can stay all day till the job is done and build those relationships and don’t burn them or use them with wrong motives. Be an asset not a liability. What can you bring to the table for the producers?

GM: ANOTHER WAY TO DIE is getting a lot of attention.  You star and grace the poster.  Tell us a little about the movie and how does it feel to go from sort of an extra sort of role in the beginning to the lead in a film?

ANOTHER WAY TO DIE was a dream come true! I was excited to make that movie with everyone at Cinema Epoch and CineRidge Entertainment. I play Leo. He is a rogue, CIA agent with a broken past. Leo has to face his personal demons while he just lost his wife. He goes on a mission to retrieve this mystical box and if it falls into the wrong hands that person will die. This box has mystical significance. So everyone is after it.

I originally was supposed to be the villain of the movie but after a couple days of filming and putting my heart and soul into some actions scenes and scenes we shot at the casino as well a house, I received a text the next morning from Gregory Hatanaka offering me the starring the role of Leo for the movie.  It was an opportunity of a lifetime, a dream come true to finally star not just in a movie but an action movie! I always wanted to do action movies since I was a kid. The rest is history. 

GM: You play the villain in the upcoming sci-fi/western DEADLY WESTERN.  Can you talk about the role and do you prefer to play a hero or a villain or does it even matter?

DEADLY WESTERN was another dream come true. First off, it’s my second western I get to act in back to back. AMERICAN WESTERN was my first, but this time I’m the villain of the movie! I get to play Cooper from The Cooper Gang. He is a murderer.  He made a name from himself and every town and people is scared of him and his gang.

Cooper will kill anyone and everyone in cold blood on the spot if you get in his way. 

I do prefer to be the hero and the star of movies. That’s what I signed up for but this was the perfect opportunity and role to be the villain on this awesome western you wrote. I wouldn’t have changed anything about it. Let’s make another one! (Laughs)

GM: On some films, you wear multiple hats.   How difficult is it to go from behind the camera to acting in a scene and then back to behind the camera? 

I’m used to wearing multiple hats on set. It’s like second nature for me and at the speed we go, time and money is on the line and we have to keep the show going. But when you have to act and have a lot of dialogue you want to do a good job but we have a way of doing things to make it work and get what we need.

It’s easier when you have two cameras shooting the scenes. I’m in and for the day so I can go focus on my lines off to the side and not worry about running camera all the time. It’s hard to let go of the camera and jump in front of it to do my scenes because I’m worried of our second camera guy whoever that is for that day is going to shoot it right or not (laughs).

I got to the point I just let them do their thing and I can focus on my acting. I guess I have trust issues when I have someone knew run camera when I’m in front of it on our productions at times. But thank God Greg Hatanaka makes sure we get what we need to have a movie and a great performance at the end of the day. 

GM: One of my favorite things you’ve done (and not because I wrote it) was AMITYVILLE EMANUELLE.  It was your first time directing and I really enjoyed the work you did along with the great cast.   How did you like that role and is it something that you want to continue pursuing?

I had a blast directing AMITYVILLE EMANUELLE! Thank God for my dream team. Linda Wong and Chris Spinelli! Love them! It was well written and congrats bro on this movie. We made it fun and had a good time bringing your story to life. I love directing and can’t wait to direct more movies. I also got to act in AMITYVILLE EMANUELLE as Detective James. 

GM: I just saw the artwork for BACKFIRE and it looks tremendous.  Can you talk about that a little and what should the audience expect?

Loved the BACKFIRE poster! It’s a trip to see yourself on it. I play an undercover operative that try’s infiltrate a cult that wants to take over the world. I tried not to get sucked into myself along the way. My character fights to survive and has some shootouts with the bad guys. I did my own stunts and choreographed most the fight scenes. Going to be another fun action thriller to watch when it comes out! 

GM: Any closing words or final thoughts?

If you feel the calling upon your life to pursue film, go for it. If you don’t run from it. My acting coach Anthony Gilardi always told us, “If you’re not acting in front of the camera, you better be behind writing, directing and producing your films. You have no excuse in the day age we live in especially with the SAG new media.” End quote. 

WATCH ANOTHER WAY TO DIE ON TUBI – CLICK HERE

WATCH AMITYVILLE EMANUELLE ON TUBI – CLICK HERE

The post Conquering Hollywood: Louis DeStefano Brings BACKFIRE and ANOTHER WAY TO DIE in a Big Way appeared first on SCARED STIFF REVIEWS.

Interview by Geno McGahee

Independent film is a tough business and the horror genre has taken a lot of hits with the continued purging of titles and limitations placed upon it by the streaming networks.  For a filmmaker in this situation, marketing is the most important thing to a great degree and that gave birth to Marketing Macabre, a business created by Michael Joy, a man no stranger to horror and filmmaking and one that saw a void in the business that needed to be filled.

Scared Stiff sat down with Michael Joy to discuss his journey and the independent film business and get his thoughts about the direction of film and the impact he has made.

GM: What initially got you into horror movies?

It probably goes back to when I was a young boy watching Abbott and Costello meet Frankenstein.  It might be safe to say that the horror was my first true love.   I remember Saturday afternoons in the 70’s watching Dr. Shock on WPHL-17 where I really discovered the roots of the genre.  The original 1933 King Kong was a Thanksgiving tradition shown on WOR channel 9 for many years.   To this day, Kong and eating turkey go and hand and hand for the holidays.   Some of my earliest influences are The Island of Dr. Moreau, The Car, Piranha, and of course Jaws. 

GM: What sparked this idea to become a promotional company for horror film producers?

In 2008, I decided to apply my horror fandom to practical use when I started writing for Horrornews.net.   A few short years later,  I was operations manager for Horrornews.net and Pandora’s box had been opened.  I was living and breathing monsters and mayhem.  In 2016, I entered the world of film distribution working as Director of Marketing & Sales for Artsploitation Films.  During my years of working with third party publicity companies, I discovered that there was a need that was not being met and that’s when I decided to create, Marketing Macabre.    My new publicity company would meet the need to provide marketing for the independent horror genre filmmaker at an affordable price.   I wanted to put together marketing plans that would be affordable for any budget project, from low budget to micro budget to no budget at all.

GM: What benefits does your company provide for indie filmmakers and what has been your overall experiences been running it?

Marketing Macabre started out with press releases that specifically went out to horror media outlets.  Our goal was to get horror products in front of horror audiences.  This is still our focus and our main goal when helping horror filmmakers and horror related businesses.   But our benefits to filmmakers continue to increase, and our other marketing options include Banner Ads, Exclusive Interviews, Top Ten Lists, and Commercials Ads on New Release DVDs.   We are currently putting together Commercial Ad Packages for a variety of Cable TV Networks.   This is all super exciting and I’m having the best time of my life helping indie horror find its audience.  

GM: Have you thought about branching out into other genres when it comes to promotion?

Horror will always be our focus, but I would love to help other genres looking for that cross over audience.   There is a large cross over when it comes to professional wrestling and heavy metal.   I would love to help bridge that gap.  

GM: You’ve run the gambit when it comes to filmmaking.  What position do you prefer?  Writing? Directing? Producing?

It’s a fantastic puzzle and when it all comes together, there is nothing better.   I’m having a wonderful time right now on the producing end of the spectrum.   I have two films coming out in the next few months that I’ve produced, Mario Cerrito’s “Human Hibachi 2” and Ash Hamilton’s “Holes In The Sky”.  They are fantastic projects and I’ll have big news on both of them in the coming weeks.   I’m currently working with Thomas Walton and Jared Safier on “Camp of Terror” set to star Felissa Rose (Sleepaway Camp).  I’m also about to have a huge announcement regarding “The House In The Pines” that I’m producing with Mario Cerrito and John DiRenzo with director Mick Strawn (Nightmare on Elm Street 4: The Dream Master) and FX master, Nick Benson (Tremors, The Blob).        

GM: Why do you think the major streaming networks are basically purging all indie horror films but keeping other genres?

We’re living in this weird time of cancel culture.   It doesn’t surprise me.  Horror has always been the red headed step child of cinema.  We’ve overcome the odds in the past and we’ll overcome again.  You’re always going to have people that don’t see the value of independent horror.  Obviously, we are seeing those short sighted individuals in some of the streaming services now.

GM: Making money in the indie horror game isn’t typical with the low payouts of streaming.  What do you consider the magic formula to achieve success in a crowded field with such difficulties?

It’s the Wild West right now.   The landscape has completely changed over the last several years and everyone is struggling to find their spot.   As an indie filmmaker, you can’t rely on a sales agent or a distributor to be the answer to your dreams.  They might be doing a great job, but there’s always room for marketing help.  It’s my mission to provide that help and maybe make some magic.     

GM: Any final comments?

I would just like to offer a helping hand to anyone who needs assistance in production, marketing, or distribution.  I’m always looking for strategic partners on all levels.   Feel free to reach out to me at joyhorror@msn.com

The post Marketing Macabre & Helping Horror – Michael Joy Speaks appeared first on SCARED STIFF REVIEWS.

Interview by Chris Summerfield

In 2003, New England filmmaker, Geno McGahee, wrote and produced RISE OF THE SCARECROWS.  18 years later, a return has happened.  RISE OF THE SCARECROWS: HELL ON EARTH has been produced and has created quite a buzz in the horror community.  

McGahee has another film, AMITYVILLE COP, that has just been released, and has been creating a lot of excitement.  He has plans to make other films in the near future as well. 

I had the opportunity to catch up with the filmmaker and talk about the films and much more…

CS: It has been a long awaited return for you to be directing/writing another scarecrow horror.  So please do tell us why you decided to come back.

It was meant to be.  The last feature I filmed was HALLOWEEN TALES in 2014 and after some bad experiences I had in film after that, I opted to give it up and do strictly screenwriting.  I didn’t want the nonsense that came along with making a production and sort of got disgusted and disappointed with film and those that consider themselves filmmakers in this indie business.  

Then one day, I just woke up and wanted to film again.  It was weird.  Something called me back and something pointed me back to the scarecrows.  It was like the universe was asking me to do it and I responded and now I’m back full time in film and understand why I was in it to begin with. 

CS: Is it a sequel to RISE OF THE SCARECROWS (2003)?

No it’s not.  It’s more a reboot or re-imagining but some of the first intrudes on this one.  Those that have seen the original will notice certain themes and even certain lines that are from the original, more or less.  Make no mistake, the first brought me here. The first was the one that put me on the map and I’m hoping that this one will hit the same groove and bring the scarecrows in a way I always wanted to.

CS: How much different will it be from the RISE OF THE SCARECROWS (2003) and can we expect any returning cast?

It’s different, but there are some similarities.  The story involves Mitch, played by Eric Michaelian, returning to his childhood home to live with his dad, played by Brent Northup, after the death of his mother.  Mitch meets up with Stacy, played by Lorrie Bacon, and as their relationship grows, they start to notice that there are strange things happening.  They meet up with some campers and they soon start fighting for their lives against killer scarecrows.    I don’t want to give any surprises away, but those that know the first, will see that it sort of was the foundation for this one.  I showed it some love.

CS: Were you tempted to act again?

Not at all.  I don’t enjoy acting and I’m not good at it.  I leave it to the experts like the people I have in RISE OF THE SCARECROWS: HELL ON EARTH. I would stick out pretty bad if I was foolish enough to put myself in there.

CS: On the original scarecrow movie, musicians Joe Becker and Greg Steinour featured upon the soundtrack, will they be working upon the new soundtrack?

Joe Becker and Greg Steinour returning was something that I wanted because they were so engrained in the first and they didn’t disappoint again.  Frank Palangi did a great song for the film and a video is on the horizon for it.  And Sonora, the band that rocked FAMILY SECRET, is back in this one as well. 

CS: Can you talk about AMITYVILLE COP a little?

AMITYVILLE COP is directed by Gregory Hatanaka and is a film I wrote that I am very proud of and it is getting great early reviews.  It was just released on Tubi and is proving to be a big hit already.  I’m a huge fan of MANIAC COP and I wanted to pay tribute but also make an original film and story.  Remarkably, the film has Laurene Landon from MANIAC COP in a role, which is awesome.

I see the film like LETHAL WEAPON meets DEMONS.  It is a quick, fun, funny at times, horror rollercoaster ride. The cast is amazing and Hatanaka knocks it out of the park.

CS: Finally as we all are aware Christmas is approaching and I do believe you will be producing a Christmas movie called CHRISTMAS MANDATE.  What can you tell us about this?

CHRISTMAS MANDATE is a drama/comedy and there is no killer.  I just wanted to answer that before it’s asked.  I’ve made so many horror movies that people assume this must be a Santa killer film, but it’s a drama about a broken family that agree to meet on Christmas Eve for a gathering to see if they can salvage their relationships and find forgiveness.  I’m very proud of it.  I love the holiday.  I love Christmas movies.  I want to contribute one and this is the one.  We will be filming some of it soon and some of it in March with a fall of 2022 release I’m guessing.

CS: Geno it has been great to catch up with you and we are all looking forward to your upcoming movies.  Any final thoughts?

I am very grateful for the interview and the time you took.  I really appreciate the support and the support of the people out there that take the time to watch my films.  I hope they enjoy them.

The post RISE OF THE SCARECROWS: HELL ON EARTH Writer/Director Geno McGahee Speaks – Horror Movie News appeared first on SCARED STIFF REVIEWS.

Interview by Geno McGahee

As we deal with the pandemic, the film industry has had to adjust.  Many would assume that the movie business would be on hold until the masks go away and the coast is clear, but the ambition and creativity of a filmmaker cannot be stopped and that is the case with Writer, Director and Actor, Jason Toler.

Toler began his film journey working on films like SAVE THE LAST DANCE, SPIDER-MAN 2 and BARBERSHOP.  He has gone on to make his own mark with films like BODY OF NIGHT, CRACK HOUSE OF THE DEAD and the upcoming KILL PLAN. Toler is not afraid to think outside of the box, work in any film genre and try new things.  He is filming with regularity and creating quality films in a time where it’s more difficult to do so.

Scared Stiff had the opportunity to sit down with Jason and talk about his film journey, where it’s been, where it’s at and where it’s going…

GM: Jason, you’ve been very busy in film and you’ve been successful.  What was the first thing that drew you to film?

I’ve been drawn to film making a movie since I was a kid I grew up in the Midwest in Cleveland Ohio and had no connections are links to Hollywood know rich uncle or famous family members but I was fortunate enough to grow up at a time where you could get a lot of information from the library and watch a lot of movies on VHS movie theaters or my sanctuary as a kid and I decided at a young age I was going to attend Columbia college of Chicago it was the closest film school to Ohio and the one film school I research that would allow you to make a movie your first year. I account my success to have part luck timing and the other hard work I was never one to give up on myself I’ve been fortunate enough to find people that have believed in my talent and my visions.

GM: You’ve done a lot, running the gambit of roles in film, from acting to writing to directing.  What is your favorite place to be when a film is being made and why?

My favorite place to be when I film is being made is on said the thing about filmmaking is unlike other creative outlets like painting or music do you need a team of people to get it done it’s beautiful to see something come from an idea to writing to actually being filmed I can’t really pick a favorite because I really enjoy writing directing and acting equally but sometimes I can bite off more than I can chew so it’s nice to be able to work on projects where I can focus on one specific Talent. As a Director it’s wonderful to put all the pieces of the puzzle together as a writer I really enjoy coming out with characters and crafting their dialogue interactions and as an actor pretending to be someone who is it me or dialing up my attitude a notch or two for character is always fun.

GM: Body of Night is a film in the vein of Fifty Shades of Grey.  Was this your most difficult role considering the intimate nature of it? 

Body of Night was a very interesting role because you don’t get to see a lot of African-American characters in erotic thrillers. From my understanding it was difficult to cast the lead because many main stream actors weren’t comfortable with the subject matter and many actors who had a background in erotica really couldn’t pull off the acting. I understood the world that character lived,  which is this underground secret BDSM society, but also the vulnerability of trying to find someone that get you we are in a position of power. That vulnerability is what drew me to the character.

GM: With the popularity of Body of Night, do you anticipate a sequel?

 The thing about Body of Night is that it did really well as an urban-based erotic thriller. It would definitely be interesting to see how the relationship between those two characters has changed now that she is also a part of that society I would love to do a sequel to that film and explore that character more but as always is up to the fans and the producer.

GM: Crack House of the Dead is a film that you wrote and directed.  What can we expect from that film?

Crack House of the Dead is my homage to the Grindhouse horror films of the 80s and 90s. Films like these were considered low brow or trash by most film critics but had a heavy influence on so many filmmakers in the industry today including myself. I’m not a big fan of horror comedies so I wanted to make something that was over the top and graphic but also an urban take on the zombie genre. We were excepted into a dozen or so film festivals and actually won best midnight screening at the Portland film festival we submitted the film to the MPAA and I was sure we were going to get a NC-17 rating due to the violence, gore ,drug use nudity ,rape and more but we just slide by and got an R. We were scheduled to do an October release of 2020 but Covid has now pushed everything back to next year. We will do a theatrical release in a couple of markets before a VOD afterwards. If you were into Grindhouse style called zombie films you’re going to love this! 

GM: What is your favorite zombie movie? Did any particular zombie movie inspire Crack House of the Dead? 

My hands down favorite zombie film is the original night of the living dead but I’ve also been influenced by classics like “Return of the living dead” and “Night of the Demons” which isn’t really a zombie fail but I love the possession element. My thought process was what if you take several unconventional characters a dirty cop a prostitute a pimp etc. and put them in an unconventional safe space like a Crack house? Could they put aside their differences and stereotypes to save each other? I remember turning the script in and so many Producer is saying we can make this if you cut out the scene or if you change this character I finally decided that I would produce it myself so that I could keep my vision intact.

GM: Kill Plan is coming soon and it looks very sharp.  What can you tell us about it?

Kill Plan it’s a product I’m really excited about. It’s a low budget action film with a lot of heart in it I play a CIA agent that is trying to stop a deadly drug from being released onto the world. It’s my first starting lead in an action film with Gregory Hatanaka, the Director of Body of Night, and Samurai Cop 2 he and I have been talking about doing some action movies for a while now.

Unfortunately, due to timing and Covid, it’s been hard to get those projects off the ground. I’ve been practicing mixed martial arts for the last nine years and was able to even show off a little bit of my fighting and Body of Night. What was interesting in doing my research is that there are hundreds of action films but only a dozen of African-American male action star leads. From Denzel Washington to Idris Elba to Michael Jai White, I am probably the first guy to come out in a while and I’m excited about the prospects and opportunities ahead. I hope the film is well received for what we were able to put together during Covid.

GM: You’ve done various genres, including drama, action and horror.  What is your favorite genre to partake in and why?

I have to be honest it’s hard to pick a favorite genre I definitely lean towards the horror and the action because that’s what I grew up on. I’m excited about the action space because I think there is a lot of potential there at the moment for me. There are literally almost no lower budget films with African-American male leads.

I enjoy doing action projects so I’m looking forward to producing some more in the future. Crackhouse of the Dead is actually the second film in a trilogy of my horror universe. Half Moon was my werewolf film is currently streaming on Amazon and Tubi.  Crackhouse of the Dead is my zombie film and we were in preproduction on “I am Dracula” which would be my vampire movie we’re hoping to get back into production on that early of next year if everything works out right.

GM: Outside of the three films that we discussed, what else should the people be looking for in the future? 

I would hope everybody will be on the lookout for all the upcoming projects we just wrapped on keto plan so I’m hoping to see that out by the end of the year if not early 2021 also the release of  Crack house of the dead” which should be in theaters next year as well. That’s a project we literally have had to push back twice due to scheduling issues so I’m hoping timing will be better soon.  We’re scheduled to go into production on the next action film a hard way to die which is a James Bond is style film possibly starting on the action series Private Security At the start of next year leading up into iamb Dracula and possibly a sequel to Half Moon. I am very blessed to have found a partner in Gregory Hatanaka he is an amazing visionary an incredible Director who is doing an amazing job of putting films together so I’m happy and excited about our partnerships. I’m also looking forward to opportunities working on more film and TV projects my management has done a great job of reaching out so hopefully more people can see me on bigger and smaller screens to come.

GM: Any closing comments?

I want to end this with just a message of thanks and inspiration.  On the inspiration side there’s so many filmmakers out there that don’t have the confidence to move forward in any way shape or form so I want to say to them don’t give up find your team find your space make your film there’s so many avenues and outlets nowadays that I didn’t have when I was coming up that you can make a film and make your money back on it so I encourage you all to find your film family and push your vision forward. I hope you all enjoy the projects I’m working on in some capacity feel free to follow me on social media and reach out if you have any questions or words of encouragement I think and love you all and look forward to sharing more of my projects with you! Follow me on Twitter @Jasonmadefilm or IG Tjasun and my production company @sunrayzfilms on Twitter and IG

The post From Crack House of the Dead to a Kill Plan: Jason Toler Speaks About his Film Journey appeared first on SCARED STIFF REVIEWS.

Interview by Geno McGahee      

In a time of a pandemic, several filmmakers have risen from the madness and produced films that bring a new feel and approach to the production all together.   Rich Mallery is a Writer/Director that has not quarantined himself from film and has used his artistic vision to create several films.  Most recently, SINFUL was released on Amazon Prime and Vimeo and it has been gaining a lot of steam.

Mallery quickly showed his talent in the long-awaited SAMURAI COP: DEADLY VENGEANCE, co-writing.  He would go onto writing, producing and directing SOCIOPATHIA, a horror film that proved intelligent and stylish.  Mallery made his mark and he’s not resting.  He is going full speed ahead with an impressive list of films that are being produced or have been produced that we can look for in the near future.

Scared Stiff had the opportunity to sit down with Mallery to discuss his career, filming during the coronavirus and more…

GM: SINFUL was just released.   Can you tell us about it and what inspired you to write it?

The inspiration came out of quarantine and how so many people have been afraid to leave their homes. I thought about what would happen if you physically couldn’t leave; if you couldn’t ever go outside again. I imagined being trapped in my home with another person and what that claustrophobia could do to us. How long would it take for all of our secrets to come out? What if I had a terrible secret that I had to keep from my partner? I pictured how that guilt could just eat away at my insides; how it could manifest in terrifying ways, driving both of us to tear each other apart. People have such delicate psyches. We are capable of some horrifying things if we’re pushed too far, even towards the ones we love.

GM: You were both producer and director for this film.  Do you find it a better situation to have that control, guiding the film as you envisioned from the writing of the screenplay?

I usually have a very specific vision for the films I’m lucky enough to direct so absolutely. When you’re writing you’re visualizing how you want everything to look, but you can’t always put that exactly on the page. Having enough creative control to be able to express things the way I intended is exciting to me. So far I’ve been lucky to work with people who have been aligned with my vision and trust me to take them to the dark places I need them to go.

GM: What do you prefer, the writing or the directing?

I enjoy it all, but my preference is to direct. There’s something about being on set and making an idea become a reality. Writing will always be a passion of mine, but directing really allows me to create the film that’s playing in my head. But I love being hands on throughout the entire process. I even enjoy editing somewhat, although that might just be me being a control freak.

GM: Filming during the coronavirus is a big obstacle to get around.  How was your experience working during this time and how difficult was it?

COVID forced us to think about the filming in a more strategic way. The virus was its own character which definitely limited us in terms of how much we could do and how many people we could involve. However, having a bare bones crew forced us to work smart and allowed us to move quickly. We didn’t have the luxury of waiting on make-up or set ups to be perfect. But everyone involved came to set prepared and ready to go. Nicole D’Angelo and Christina Lo really dedicated themselves to getting their characters right so that when we were rolling, they nailed it on take 1 most times. We also made sure to only shoot what we needed, so that no one was on set more than necessary. Every shot we used in some way. Nothing really hit the cutting room floor. But although we were hyper focused on safety, this was the most relaxed set I’ve ever been on by far. Working this way made filmmaking fun in a way I hadn’t experienced.

GM: Another film that you’ve recently written is DARLING NIKKI.  Can you talk about that and what the audience should expect?

Expect a lot of madness. This movie is going to be out of this world. Picture Alice in Wonderland if it was written by someone in a mental institution. I unfortunately can’t take all the credit though. Gregory Hatanaka and Nicole D’Angelo wrote the first few drafts of the script so it’s mostly their ideas. I came in later and put my spin on what was already a wild script.

GM: You really got on the map with SAMURAI COP 2, a film that you co-wrote.  Co-writing can be a difficult proposition.  How was your experience co-writing this film?  What were the ups and what were the downs? 

SAMURAI COP 2 was something I was not prepared for. Everything about that production was insane and there were constant rewrites due to the millions of things that went wrong each day. There will be a doc released at some point ENTER THE SAMURAI which will show some of that madness. Although I heard a lot of footage we shot for that was accidentally destroyed which doesn’t surprise me considering the mayhem of that shoot. But to answer your question, co-writing for this one worked differently than a normal collaboration. I wrote the first few drafts of the script based on Gregory Hatanaka’s treatment. Then Gregory and Tony Young took over and put their spin on it. Once I handed my script off to them, I moved more into a producer role and they developed a lot of what you see in the finished film. I jumped in with an assist from time to time on set doing scene rewrites though, when I wasn’t dealing with things like the police or a fire.

I jumped in with an assist on set from time to time with scene rewrites.

GM: THE HUNTED and THE TOUCH OF HER FLESH are both in pre-production.  What can you tell us about these productions and when are they set to film?

When the stay at home order happened we were about three weeks away from starting production on THE HUNTED which was a huge letdown. Unfortunately we had to put that on hold until things get back under control and we can shoot it safely, but that is the project I am most psyched to dive back into. Picture Eyes Wide Shut with a LGBTQ and BDSM angle. It’s going to blow your mind. TOUCH OF HER FLESH, I’m not so sure as there are a few other projects that I think are going to take precedence over that one. When we get to it though, it’s going to be insane if we can pull it off the way I want. TOUCH is very 70’s exploitation which is a genre close to my heart. I’m also in pre-production on a film COVEN that I’m hoping we can get to early next year. Picture a home invasion thriller with demonic witches. That one is going to be a non stop thrill ride and I can’t wait to unleash it. I’m always writing, so I have stacks of scripts ready to go once we can all get back to work.

GM: In a world of streaming, being a filmmaker can be difficult.  With a mixture of monopolies like Amazon and Netflix dictating payouts to piracy rampant, what have you found to be the best path to success in the business and where do you see it going in the next ten years?

This is a tough one. Honestly, I don’t really know. It’s so difficult for smaller films to make enough money to be sustainable. Sure you can put your movie on Amazon and make a few cents per view, but making your film stand out is challenging. Unless you have money to do real marketing, the only way to make any kind of waves is if the people involved are relentless on social media. You’d be surprised how many actors/actresses don’t promote their own movies. I think people sometimes are just expecting everyone else to do it. But if you don’t promote, trust me, no one’s going to see your movie. Which means we can’t keep making them, which means you won’t get cast again. Even if you’re lucky enough to get on Netflix or some other streaming service, after the first two weeks, your movie is buried. You have to keep the machine going, keep getting the awareness out. I can’t stress it enough.

GM: You’ve mentioned that your obsession with film started at an early age.   What film sparked this obsession?  Can you name the moment when you said that this was for you?

I remember after seeing Ghostbusters, I story-boarded a rip off movie about a trio of exterminators who try to take down these giant insects that are invading Manhattan. I used to act out the scenes in my backyard using sticks for weapons. I’m not sure I wanted to make movies exactly; I think I just wanted to be Bill Murray. Or Chevy Chase in Caddyshack. My 7-year-old self was all about comedies like that. But once I saw Halloween, it was game over. All my attention went to horror and I devoured everything.

GM: Where can the people go to learn more about your ongoing film journey?

I post updates on Twitter from time to time. @richmallery

GM: Do you have any final comments? 

If you want to see a different type of horror film, something you haven’t seen before, check out SINFUL now on Amazon Prime. We need you to support movies like that so we can keep making them.

WATCH SINFUL ON AMAZON PRIME NOW – CLICK HERE

WATCH SINFUL ON VIMEO ON DEMAND – CLICK HERE

The post SINFUL: Writer/Director/Producer Rich Mallery Speaks About His Film Career & More – Movie News appeared first on SCARED STIFF REVIEWS.

Interview by Geno McGahee

In a time when filming is a difficult task, Nicole D’Angelo has found her way, being very productive and creating film after film, each of which have been creating a buzz seldom seen.

Recently released on Amazon Prime & Vimeo, BODY OF NIGHT, a sensual thriller, HEARBEAT, a suspense film, CHOKE, a edge of your seat drama, and ACRYLIC, a comedy, have been huge successes and have been getting rave reviews.  This is what film is about and this is what D’Angelo is about.

Seeing distribution through CINEMA EPOCH, these atmospheric interesting films have really introduced D’Angelo to the public and her star is starting to rise.  From writing, to producing, to acting, to directing, she has worn many hats and has worn each well.   Scared Stiff had the opportunity to sit down with D’Angelo for a great discussion about her films, her future and navigating the journey in a difficult time…

GM: You have been very busy lately with various productions.  Could you give us a brief rundown what you’ve been working on and how the experiences have been?

I’m very grateful for all of my recent projects. Each one has been very different content wise, which has allowed me to expand into different areas of production and find new grooves within the creative process.

GM: You have worn a lot of hats, from producer to writer to actress.  What do you prefer and do you find that working the different areas make you better in the business as a whole?

I really enjoy learning new things and am usually the type that wants to know how it all works. I’d say that definitely applies here and I enjoy each category, some more than others of course but It’s nice to be able to switch it up, keeps things from getting too stale.

GM: BODY OF NIGHT has just come out, a film you co-directed.  It has been doing really well after its launch on Amazon Prime.  How was it to co-direct and how was your overall experience with it?

Co-directing was definitely different, you have to mesh well with the other person and luckily I’ve worked with Greg many times, this was just on a slightly deeper level. I think he did most of the work truly, I was there to inspire when needed. It was a great learning experience before taking on a film of my own.

GM: ASMR is pretty common in the films that you’re a part of.  How was it to incorporate this into the films and how has the reaction been thus far to its inclusion?

When I first came across ASMR I was so deeply fascinated by the whole topic. I spent hours checking out videos and becoming pretty obsessed with how satisfying and bizarre it all was. It was natural for me to try and squeeze it in, especially due to the current social relevance of it all.

GM: You’ve written a film called ACRYLIC, a comedic drama.  Can you tell us a little about it?

The opportunity came about for me to write and direct my first feature. I had a few ideas floating around and the others were much darker and cerebral. I felt going with this genre just felt better with everything going on. I really wanted to create something that people could connect to through laughter and try and utilize the current social temperature to bring folks together in a real way.

GM: How is it to direct and act in the same film?  Is it difficult to maintain control as you wear both hats at the same time?

In Acrylic I was lucky enough to focus on directing, although I did make a couple small cameos.  Wearing multiple hats can absolutely be draining, at times I’ve hated it. I think though, even on the rough days I feel so lucky to be creating art and doing something I enjoy as a whole, If you are the creative type, you have to create, there’s no choice, or else it’s madness.

GM: HEARBEAT is a very stylish flick.   Can you tell us a little about it and what the audience should expect?

Heartbeat is a film born out of chaos. Everything happened so last minute to pull this together and we still came out with a fun, stylish, thriller. I was excited to see this ode to the giallo genre take shape here and there are a few solid laughs to be had as well.

GM: Making a film can be a very emotional experience, especially when you are producing and directing.  How have you dealt with the stress and emotions considering just how many films you’re involved in?

Every day is different in the realm of indie filmmaking, especially when working with a smaller budget and doing things that require a deeper dig emotionally and mentally to pull together. I enjoy it all, even the shit moments. I believe that self-care is super important so finding the time to ground yourself, call on friends when needed and just trust in the process.

GM: The Coronavirus has impacted every facet of life.  How does film progress under the current world situation?

We wrapped on Acrylic right before things started to take a nose dive. We all felt very lucky to have finished that in only 8 days with a 2 month turnaround time, which is pretty unheard of normally. Now, there’s  more time to write, plan and get some things out there that have been in the cue. I know as a collective we need art and connection more than ever and I hope they take the opportunity to explore new outlets.

GM: What else do you have in store for the audience in the future?

I am co-directing QUARANTINE GIRL and I’m starring in SINFUL, both coming out in June and July.

GM: Any closing comments?

Thanks for the opportunity to share on this platform! Love to all.

Watch ACRYLIC NOW on AMAZON PRIME – CLICK HERE

WATCH BODY OF NIGHT AMAZON PRIME NOW – CLICK HERE!

The post Acrylic, Body of Night, Choke, Heartbeat & More: Nicole D’Angelo Speaks About Upcoming Films, Her Film Career & More – Movie News appeared first on SCARED STIFF REVIEWS.

GM: On April 14^th, GREEN RUSH will be released, distributed by Lionsgate.  You produced this film.  What can you tell us about it and what should the audience expect? 

This movie  has its roots in California, was inspired by true events, and the action ramps up quickly as the movie develops. Some of the twists and foreshadowing make this a movie that you should definitely watch a second time (to pick up details you might have overlooked). 

GM: This was based on actual events.  What drew you to the story? 

I was drawn to the story, first because of the ties to what’s happening in California and many other states with the Marijuana market. Things are changing fast, and the whole topic, business and public views are fascinating. I also wanted this movie to be a calling card for our team of actors, writers, directors and production team. The way we pulled this movie together, with the time and resources we spent was amazing. Only people that really understand the industry could appreciate the process we went through and executed. This movie was a culmination of a bunch of people with something to prove, and I love that. 

GM: I got a chance to watch the film and it was really intense and gritty.  It really pulled no punches.  How important was it for you for this film to be so dark and intense?  

For me it wasn’t so important, it was more about execution. Gerard Roxburgh as the director and Matt Irwin as his DP really had the goal and vision, also the writers Paul Telfer (the villain, Ticker in the movie) and Danny Acosta. I really believed in the script and the team we had put together. 

GM: You’ve done some acting.  When you come from MMA, the natural transition is to go into action films.  Is this something you are considering or is there another genre that you are drawn to?  

I like the action genre a lot, but I feel like the next films we make will just have a great story line, I’m sure drama is gonna be a big part of the recipe, but I imagine there will always be some grit, intensity and action. 

GM: Do you have a series of films in mind that you want to produce?  If so, what should the people expect beyond GREEN RUSH? 

We have a whole slate of projects lined up, movies, documentaries, mini series it’s just a matter of prioritizing. We have the life rights to an amazing athlete named James Lawerence “the iron Cowboy” known for the 50/50/50 Iron man races. We also have an awesome script called “The Manly Art of The KO” that I’m really excited for, and is already in development. 

GM:  Are you more interested in producing films or acting in them and being a star in front of the camera? 

I’ve really enjoyed learning the business side of the entertainment world, and feel that I can really excel at producing. There is a ton of Similarities in the movie industry, and the fight biz, that is exciting to me. I definitely have aspirations to be in front of the camera more, unfortunately I’m not an actor that commands guarantees and foreign sales yet, that is something I can work toward in the future. 

GM: You can Conor McGregor have had an interesting history and friendship.  Did you learn anything about promotion from him and how would you classify your relationship with him? Friend or foe? 

(Laughs) Yeah it’s interesting for sure, I would definitely consider him a friend. When we do interact it’s always positive, minus some classic ball busting. I wouldn’t say promoting necessarily, but I always love how big Conner thinks, and how he sees things through. He has really stepped the game up for everybody, so much respect for that.

GM: McGregor made an incredible amount of money in his bout with Floyd Mayweather, JR., in a boxing match.  This seems to be the route for a big cash in.  Did you consider, at any time, challenging a boxing champion to a cross-sport bout in the squared circle? 

I have a hard time turning down a great opportunity, but MMA is my wheel house. 

GM: I am a huge boxing fan. I am a casual MMA fan.  I have always looked at the cage as a much scarier situation then the boxing ring.  How much anxiety is there when that cage door slams shut or do you feel more at home in the cage? 

For Somebody that doesn’t Fight, train for decades, and have an understanding of competition on this level, it would be very scary. But this is my world, so it’s pretty regular for me. 

GM: With guys like Brock Lesnar, Bobby Lashley, Ken Shamrock, Dan Severn and so on, becoming pro wrestlers or doing both, have you ever had an inclination to go into that?  

Maybe a three man tag team with a bunch of lightweights. Me, Cody Garbrandt, and chad Mendes would be a good trio, to go against one giant wrestler. 

GM: As a filmmaker, I have found that piracy has really hurt film and much like the music industry, the money isn’t what it once was.  How do you overcome the online viewers that are quick to watch your films for free instead of putting down the few dollars to watch it the right way?  

This is our first feature film, and luckily we found a great partner in Grindstone entertainment, and ultimately Lionsgate. They have been around a long time, and know this part of the business. 

GM: To wrap up, you have GREEN RUSH coming out.  I can honestly say that it’s gritty, intense and a great watch. I commend you on it.  Is there anything that you hope the audience takes away from it? 

It’s obviously an action movie, but we tried to add as much detail and art as possible. I hope people follow and appreciate the little things. 

GM: Thank you for your time. Do you have any final thoughts? 

Just excited to know in my heart that this will be the first of many great projects, hope everyone keeps an eye out for the future. 

The post MMA Star Urijah Faber Speaks to Scared Stiff: Green Rush Arrives on Digital & On Demand & More appeared first on SCARED STIFF REVIEWS.

Interview by Geno McGahee

Scared stiff had the opportunity to sit down and speak with BROKEN LINES, a punk band from West Wales and discuss their music and message.  In a very interesting interview, Broken Lines speaks from the heart and talks about their ups, downs and everything in between…

GM: Can you introduce yourself to the public?  How would you describe your band, your style, your message?

Broken Lines was formed in 2014. We are a 3 piece band playing unique and original music from Pembrokeshire, West Wales. Our emphasis is to create upbeat and energetic music with punk, rock, psychedelic and just about anything else that influences us! We play for the love and enjoyment of music and aim to portray that in our songs and performances. Sometimes fast, sometimes slow and serene, but always refreshing and uniquely our own. Strong beats and growling bass punctuated with searing guitar and a vocal performance to match! Delivering an experience that is intense, exciting and emotionally charged.

We feel we don’t really have a specific style and are difficult to pigeonhole. We play whatever floats our boat and have quite an eclectic mix of themes due our wide range of influences. Above all, it’s about creating an experience and a feeling and sharing that with our audience.

Our message is simple, uncompromising and direct:

“THE RULING ELITE MUST BE STOPPED!”

GM: What got you into music?

We all have our own reasons for getting in to music, and have got here by different paths. I think the common element between us is the recognition that music is a powerful force and a beautiful experience – it needs to be shared!

GM: What musicians/bands were your inspirations?

Mark: The Stranglers, The Clash, Dead Kennedys, New Model Army, Bob Marley, The Sensational Alex Harvey Band, Steve Harley.

Dave: Jimi Hendrix, Nick Cave, Rage Against The Machine, Led Zeppelin, Radiohead, Pink Floyd, The Clash, Bowie.

Jack: New York Dolls and The Pink Fairies.

GM: Talk about your latest album.  What should the public expect?

Our latest album is entitled “Liberation” and is an eclectic mix of styles that we have each brought to the table. It has been received with critical acclaim and we are very proud of it! It is available either digitally on all platforms or as a CD via BandCamp.

GM: What has been the best experience you’ve had being in the business?

Playing live without a doubt!

GM: What has been the worst experience you’ve had?

Not playing live without a doubt!

GM: With the changing mediums in the distribution of music, how difficult is it to make a living in the business?

It has always been difficult to make a living in this industry. You need to treat it like you would any other business. Times change and so do platforms and delivery methods. However, the process of making music is the same, you just need to alter your marketing strategy and harden up your attitude.

GM: Any final thoughts? 

We are always looking to play live. If anyone out there wants us, give us a shout!

https://www.facebook.com/brokenlinesuk

https://www.instagram.com/ukbrokenlines

https://brokenlinesuk.bandcamp.com/

https://www.youtube.com/channel/UCC6Yejfsxv7JRRjeFbdT2vQ

The post Broken Lines ROCKS SCARED STIFF: Punk Rock Band Speaks – Music News appeared first on SCARED STIFF REVIEWS.